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'She is waiting': political allegory and the specter of secession in Chimamanda Ngozi Adichie's Half of a Yellow Sun

• Authors : Coffey, Meredith

• Source: Research in African Literatures. Summer, 2014, Vol. 45 Issue 2, p63, 23 p.

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The confessions of a 'Buddhist Catholic': religion in the works of Chimamanda Ngozi Adichie.

• Authors : Tunca, Daria

• Source: Research in African Literatures. Fall, 2013, Vol. 44 Issue 3, p50, 22 p.

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Remediating Biafra: Adichie's Half of a Yellow Sun as a Symbolic Vehicle of Postwar Reconciliation.

• Authors : Abba, Abba A.

• Source: Research in African Literatures. Winter, 2020, Vol. 51 Issue 4, p1, 17 p.

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Breaking Gods: an African Postcolonial Gothic reading of Chimamanda Ngozi Adichie's Purple Hibiscus and half of a Yellow Sun.

• Authors : Mabura, Lily G.N.

• Source: Research in African Literatures. Spring, 2008, Vol. 39 Issue 1, p203, 20 p.

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Chimamanda Ngozi Adichie.

• Source: World Literature Today. March-April, 2006, Vol. 80 Issue 2, p5, 2 p.

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Biafra as heritage and symbol: Adichie, Mbachu, and Iweala.

• Authors : Hawley, John C.

• Source: Research in African Literatures. Summer, 2008, Vol. 39 Issue 2, p15, 12 p.

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'She Loved Us at Our Best And Our Broken'.

• Authors : Christensen, Lauren

• Source: The New York Times. August 7, 2019, A24.

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Braiding Worlds: Disharmonious Encounters in Manama's African Hair Salon in Americanah by Chimamanda Ngozi Adichie.

• Authors : Vlahaki, Marina

• Source: Research in African Literatures. Spring, 2021, Vol. 52 Issue 1, p108, 19 p.

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Seven of the best war novels

• Source: The Economist. March 21, 2024

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Chimamanda Ngozi Adichie

• Source: Encyclopedia of World Biography Online. 2022 January 1.

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